Walter Rhett’s New Work: “A Portion of Fault:” Gullah Prayer And Faith


The View from Circular Church, looking west. The Unitarian Church (left) and St. John's Lutheran Church in background.

The View from Circular Church, looking west. The Unitarian Church (left) and St. John’s Lutheran Church in background.

graphics-balloons-126913Print Release: June, 19, 2014.
Full color, FSC certified, acid free coated paper.
Set in Goudy Old Style, a legendary Arts and Crafts font. Historic design.

“A Portion of Fault:” Gullah Faith and Prayer

New

Ground Breaking

Work

The digital work contains:

  • Rare African-American oral folk tales from slavery, challenging stereotypes involving religion and African moral intelligence.

  • An excerpt on Spirituals from Sterling A. Brown, noted scholar of African-American literature and folklore.

  • A historical summary of the theologian Howard Thurman’s powerful concept, “the waiting moment.”

  • An oral history example of the African-American rite of visionary prayer, “Seeking.”

  • Beatific visions and spirit calls in several Gullah Spirituals.

  • An African-American theology of prayer.

  • The use of African-American folk forms to preserve witness and lessons.

  • The difficulty Gullah poses (the language and its aesthetic) to contemporary research in history, literature, and religion.

  • A new transcription of Dr. Lorenzo Dow Turner’s audio interview in the Library of Congress archives with Ann Scott, recorded on St. Helena Island, South Carolina in 1932, in Gullah.

  • Cover art by Charleston civil war photographer, George Barnard, and American Depression photographer, Dorothea Lange.

  • The use of dialectics and traditional forms of induction as a logic of empirical interpretation.

  • Rare Audio: Lorenzo Dow Turner’s 1932 Audio Interview with Ann Scott, St Helena Island, South Carolina, in Gullah  

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Walter Rhett specialises in short form writing and its design for net and print. His writing explores voices, whose ideas and stories are alive in his dialogue.

WalterRhettJr

“Religion was neither forced on the slave or accepted naively. In fact, the widespread acceptance of Christ by the enslaved is the biggest conversion experience in the history of Christianity after the birth and death of Jesus.”

"Born Two Years Before The Surrender"

“Born Two Years Before The Surrender”  Dorothea Lange Photograph.

Doc McStuffins


DocMcStuffins

An African-American doll, Doc McStuffins, has risen to the top of the doll market, selling $500 million units last year.

As an observer of race in American culture, I have an exuberance and unbounded joy at the broad success of the young Doc; more so, when I recall the protests against the dolls and video games that pandered and reinforced offensive stereotypes a few years ago—the games awarding points and levels for violence and thuggery. Because dolls are the companions, friends, and playmates of children, this quiet movement by children clearly shows a new generation sees race differently and are willing to have race-enriched experiences. The requests by children to be photographed with a child whose color adds authenticity to the character tells us the acceptance is inclusive, real, and honest—and supported by parents.

Yet (with more caution than cold water), I recall the long legacy of commercial successes in popular culture by African-American products and characters: the dance, the Charleston; another doctor, Cliff Huxtable; many more, and realize these successes have to deepen our understanding and empathy for the history and challenges of others. Many great conversations and play sessions can begin with Doc McStuffins’ back story, including barriers that children recognize she may have overcome, and they can tell how in stories springing from their own hearts and minds.

I hope the young Doc has siblings that branch out into other careers and an extended family that is multi-racial. I would love to be a part of those family dinners; I’ld bring Lexie, my daughter’s Cabbage Patch kid.

Loopholes and Wealth


 Corporations hate taxes. They look for legal loopholes. The great irony is that global trade and financing agreements depend upon US law; for finance, New York State; for governance, Delaware, and claims filed by a variety of suitors and plaintiffs end up in US courts.

Even cases tried in London and the Hague are often tried under the compelling US stature. These same corporations that use loopholes for tax avoidance, turn to US laws and courts for full protections in cases of dispute.

That’s having it both ways.

But the details described point to a larger challenge: the subtle undermining of global sovereignty by scattering operations so one set of national laws apply–in fact to find locations networked together so as few laws as possible apply.

Apple is a prime example; its cash-on-hand (cash!) make it the 55th largest GNP among the world’s nation-states; that’s the total economic output and production of these states in all sectors.

Seen through the lens of political economy, the US offers several large loopholes, but America is simply first among equals. Whether among the states or among nations, the corporations have a global bazaar of benefits, some of which benefitted a former US Presidential candidate.

Surprisingly, many saw nothing wrong with a sovereign leader parking money overseas, following the path of dictators and tyrants who used power for greed.

The party that nominated that candidate sits in a majority in the House and will block any effort to change loopholes. It weakens the nation to empower wealth.

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A New Collection of Dorothea Lange’s Photographs | Dorothea Lange Southern Photographs, 1933 – 1939


8b33728v (3)For a remarkable look at pre-recovery conditions during the Great Depression, see this collection of Dorothea Lange photographs; more than 200 across 11 states.

The photographs provide a unique, long witness across several states
during difficult economic times by a single onlooker who is observing the world and its people and conditions with a powerful, constant eye.

“Even the spare, minimalist portraits Dorothea Lange sets on the stark geography of fertile fields have a pull beyond their obvious irony and harsh details.

The photographs display best in Adobe Digital Edition (a free download).